Tag Archives: palahniuk

392. Why are Emotional Relationships a Fuckup?

Continuing from:

 

“So the disillusionment with arts have to do with My Own expectations about it. How I thought that this was ‘the way’ to change the world and of course I didn’t follow through with ‘becoming an artist’ in the traditional sense which I then perceived as myself already ‘opting out’ of it all and seeing the sheer idea of dedicating myself to ‘create art’ as utterly selfish, without realizing how much I had desired ‘that’ to be my reality before. I’ve also been recently sharing about these points with people, explaining how I’m not proud of the decisions I made earlier on in my life and how I would not recommend anyone to study arts. I do however not say ‘don’t study arts’ but simply place my own expectations, my own experience, my decision to do something else and how such studies were a nice platform but not real tools that I can apply to what I am doing now.” From 387. The Love/Hate Relationship with Art

 

Nostalghia

 

Facing Myself, my Relationships through the Relationship with Art

I suggest to read:  What does it Mean to Have a Relationship with Oneself? – An Artists Journey To Life: Day 608 by Andrew Gable

 

I forgive myself that I have accepted and allowed myself to define my relationships based on emotions and feelings wherein it doesn’t matter whether it is arts or a person or a responsibility or a place, the moment that I create emotional and feeling attachments to places/people/objects/professions then I begin creating my own trap through definitions based on what I believe that ‘I like’ and what I believe is ‘my thing’ based on nothing else but emotions, feelings, experiences that I went attaching toward something/someone over time, and then believing that I am in fact all of these experiences, emotions and feelings in relation to something or someone, without realizing that such experiences cannot define what such something or someone is in fact, as it is all entirely self-created, it is me-myself that has created this experience within me.

Within this premise, I forgive myself that I have accepted and allowed myself to immediately automate the words ‘my relationship to/with something/someone’ being defined as an experience that I have built toward something or someone instead of the actuality of how I participate, interact with, communicate with /through something or someone and within that realizing that any experience that I create is entirely my own and has nothing to do with that something or someone but myself at all times.

Therefore I realize that the projections upon ‘art’ is in fact the experience that I have created toward the who I was within that time of my life when I chose to study art and that If I were to place myself within that same frame of mind 7 years ago, I would probably still go for that choice in life, which means that it is a decision I made entirely based on what I wanted to experience and who I wanted to be as a personality, an ego and satisfy my drive that I went building up throughout time to ‘make it’ within the art world – so this point I have opened up before however now I am able to see that it has nothing to do with ‘art’ in itself, I’ve made of art the excuse to project my own judgments toward my decisions, the way that I established relationships toward this something that I ‘built myself’ around, and as such because I realized I could not continue constructing myself as ‘an artist’ within the initial ideals I had, then I acted in spite and begun regretting and embarrassed by my choices in life as I see them as ‘useless’ without realizing that I was actually reacting at all the various others things I did in my life throughout that time of which I cannot be proud of either and that I cannot certainly recognize as ‘myself’ any longer so

I forgive myself that I have accepted and allowed myself to define me according to the relationships that I built with people and with specifically my career as ‘arts’ which in fact reflect all the choices in my life, the people that I chose to surround myself with and that I cannot really judge myself for who I was back then as back then I had no awareness of the points I am aware now.

So I realize that I have to stop being ‘hard’ on myself based on this hidden-experience of having ‘the past haunting me,’ and so be able to finally let go of it as I do not have to re-enact this kind of shame or embarrassment about myself, my past relationships, my emotionally-driven decisions in life because it is to realize that back then I didn’t know any other way – and so instead I am grateful to be able to be here writing myself, having deviated from ‘the path’ that I had initially chosen as god knows where the hell I would be if I had followed through my ‘lifestyle’ and the relationships I built around the same ego and personality that I was. I rather see and recognize that I’ve definitely moved on from that phase of my life, but! Also realizing that every time that I create an experience toward any memory, any relationship, any past choice including my decision to study arts, I recreate the entire network of ‘the who I was’ in my past and as such I continue enslaving myself to those relationships and only fuel the negative experiences that are the opposite polarity to the initial positive experiences that I used to build my relationships with people and with the profession/career I was veering myself toward.

And within this, I forgive myself that I accepted and allowed myself to follow the usual pattern within the mind which is ‘dissing’ something once that one has squeezed the last drop of positive experience out of it, which means that once that it ‘served me’ and ‘its purpose’ and I’ve hit the ground back into reality about it and I am no longer seeing visions based on emotional and feeling experiences, then I go into the opposite polarity of talking bad about it and feeling righteous within that, without realizing that it is only the predetermined and rather predictable outcome from an initial positive experience that I created with such ‘passion’ about it that when the whole experience was no more, I ‘dropped’ down to the bottom and the opposite – so it happened just like a typical relationship wherein people first get in love with each other and as time progress and the energy runs dry, they part ways and talk shit about each other, so that’s what I did toward ‘art,’ and I didn’t even realize it because to me it was so right that it hadn’t fulfilled my expectations that I believed I had ‘the right’ to feel that way about it, without seeing the obvious: it was a feeling, an emotion, a judgment that came from nothing else but the ‘who I was’ toward art and so, within this ‘dissing’ recreating my past relationship to art over and over again – trapping myself in my own past.

 

I forgive myself that I have accepted and allowed myself to form emotional relationships toward what I deemed as ‘my career’ or ‘my path’ which in this case was art/being an artist and within this allow a physical process to become a rather emotionally driven relationship, similar to those that I’ve walked with individuals wherein there are a lot of feelings and emotions attached to something/someone that I want to hold onto and when the relationship is no more, such dependency then turns into a ‘lack’ of this fulfillment gotten from something or someone and as such, it turns into a form of bitterness ‘toward something or someone,’ without realizing that this all is really not about ‘art’ in itself or the people in my past relationships or else, it’s about myself and how I created relationships of dependency upon others in order to ‘satisfy me’ or ‘complete me’ or give me some kind of experience to which I could define myself, build myself, construct and upgrade myself as the ego that I was wanting to be within the ‘who I am’ as a professional artist as well as within the relationship formed in relation to who I am as an artist and in relationship to others.

 

Therefore I realize that the best way to follow through with this is to entirely let go of my experiences toward my past specifically and so be able to give myself back to myself as being able to focus on what is here, what I am working with, what I am developing as myself and also to align my relationship to art and be able to enjoy it, visiting museums or read about it, hear it, interact with it without loading the entire experience of ‘going to the museum’ and defining myself according to that any longer.

I forgive myself that I have accepted and allowed myself to be spiteful in the past few years and whenever I would talk about some forms of contemporary art become infuriated and a bit angry about what I defined as being utterly selfish and self-centered and ‘useless’ to the problems that I was then realizing were ‘much more important than that’ – and in this, I still agree that there are more important points in life than some kinds of art that are merely conceptual and contemplative and ‘useless’ as a tool to create practical solutions to the world – however, this obviously doesn’t justify the fact that I’ve been spiteful and holding this love-hate relationship to it, and within this only fueling an inner conflict of still being interested in or curious about the current art forms that are emerging while at the same time judging it as useless so here

I had considered myself to feel bitter about art

art-should-be

Bitter: causing pain or unhappiness. Feeling or showing angry hurt or resentment

I forgive myself that I have accepted and allowed myself to feel bitter about art as in becoming resentful toward it and toward the people that create it, not realizing that I had exactly done the opposite for a prolonged period of time which is why the inner conflict arose in the first place, all based on me wanting to make of art the quintessential human experience and making it the most ‘honorable profession on Earth’ or so, and so believing that being an artist was the same or similar thing as to say I was chosen by god and/or touched by god, so in essence a lot of delusions of grandeur that I created within me and that I projected toward art. So, this bitterness as in being angry, resentful, dissatisfied toward art has to do with me having to let go of my own desires/hopes/dreams related to me becoming an artist. So once again, it has nothing to do with ‘art’ in itself but the expectations and experiences I created toward it and so, when realizing I had to stop pursuing my mind any further and only feeding my ego, that’s when the opposite relationship came up.

When and as I see myself feeling bitter about any form of art that I may see, read about or even people that create art and discuss their work – I stop and I breathe, I ensure that I am not tensing my physical body and experiencing that bolt of energy within me wanting to ‘let them know the truth about their creation’ which is in fact nothing else but me wanting to ‘express’ through reaction, as if I had ‘the truth’ within myself and so within this actually becoming nothing more than an ego that wants to be recognized for ‘my new position’ which is not really supportive but only a packet of resentment, judgments and overall bitterness toward that which I once praised.

I realize that this all comes from how much the entirety of ‘my world’ and ‘myself’ that I deemed as ‘real’ and ‘genuine’ were in fact not, so this whole relationship with art I remember very well was the first initial ‘big hit’ that I took when understanding who we are as the mind, as a preprogrammed mind consciousness system and that the thing I feared losing the most was the personality I had created through/as art and having chosen that path for myself, which is why that initial big fear of loss about this self-definition had such a ‘big impact’ in the aftermath, wherein I allowed myself to not be entirely self-directive toward art but instead then create the opposite polarity and so still participating within the mind. And this came through even though I believed I was ‘well over with it,’ only to test out not long ago that there were still reactions coming through the more ‘artistic’ documentaries I would watch and wanting to ignore the reactions to it until I simply believed that I had to ‘speak my mind’ about it – and yes, it was ‘my mind’ and a till here no further to when and as I see myself questioning or asking another about their creation from the starting point of the ‘bitter drop-out of an artist’ that I became in my mind, and so stop defining myself based on the choices of the past and focus on communicating or creating a dialogue based on what we can learn from it, what can be useful to understand our human condition or even innovate and take points to be creative in the ways that I can support myself and others through this process while using art as a supportive tool for it, without endowing it the entire ‘duty’ of ‘changing the world’ in itself, which as I’ve previously discussed, it’s impossible.

When and as I see myself wanting to create an experience of spite or disdain and bitterness toward ‘art’ and seeing it as useless or pointless while at the same time being curious about it, I stop and I breathe – I realize that both the negative and positive experiences are only re-creations of the ‘who I was’ in the past as an art-lover and then the who I became as the anti-thesis of that which was pretty much being very critical toward art within a negative context, and so I simply stop, breathe and observe/interact with it without creating any experience but rather seeing it objectively for what it is. And this is the challenge really because I had cult-ivated the experiences attached to works of art and becoming emotional about it, which I also learned from books at the same time. So I realize that all of my emotions and feelings are in fact nothing else but knowledge and information that I’ve translated into energetic experiences that serve no purpose for me to interact with something or someone.

 

I commit myself to be able to be here as breath while witnessing performances, watching/visiting museums or art galleries and also to remain here as breath when getting too excited about seeing something because that’s also once again recreating the same pattern of the visual vicious – which I’ve talked about extensively of – and so realize it’s just images, it’s just pictures, it’s just a part of reality and the only way I can ‘react’ to something is if I ‘load’ all my past-definitions in order to react based on memories and the knowledge that I had built around art and the ‘who I am’ toward art. So I can practically simply stop those past definitions and focus on reality.

I forgive myself that I have accepted and allowed myself to read about the Stendhal syndrome in some book and consider that I would get this kind of experiences such as seeing ‘the sublime’ and mostly images that would depict the end of the world, which is why I focused myself so much on depicting the end of the world and getting a kick out of it, and believe that these emotions were ‘normal’ to me and that I had all the right to ‘express them’ but, the reality is that it was all a self-created experience and that there was no ‘magic’ or ‘real connection’ to painting or anything like that which I believed was something ‘special’ within me. Therefore I realize that these experiences were pretty much all created within my desperate need to ‘feel something’ because I had deemed the ability to ‘feel’ as in becoming emotional as special, as sensitive, as ‘unique’ in a human being – and so I created my own web of experiences according to how I would see others would feel and so mimic it, read books that were very emotional and then going determining what I would find as ‘emotional’ and what I would like to experience and so integrate as part of the ‘who I was’ as the characters that I read about and that I eventually wanted to create for myself.

 

I forgive myself that I accepted and allowed myself to made of past relationships as something conflictive and filled with ‘turmoil’ inside my mind as I realize that this was also part of the definition of who I wanted to be as a very sensitive person in order to be able to have stories to tell or talk about, as I believed that I had to suffer to make any real art. Therefore, I realize that any experience I created toward something or someone wasn’t part of reality as such, but entirely self created in my mind. Within this, I realize that also in my relationships the experiences I created about others were never ‘real’ as such, but only the plethora of experiences and definitions I created upon them – that’s why once the energy ran dry and seeing the individuals or situations that I was in within my life with sober eyes and frame of mind, the ‘truth’ of myself and the interactions with others/something came through as it is.

 

So a way to redefine a relationship it is to first of all no longer define tit through/as an emotion or feeling, something that we believe is ‘real’ in the mind based on memories, ideas, beliefs, past experiences that we then make real as our preference, as that which ‘we want,’ without taking physical reality into consideration.

Therefore an emotional relationship will always end up as a ‘fuck-up’ if it is not aligned to physical reality wherein I can stand as an individual that first of all ponders what it is that I sought in my relationship with something/someone that I believed I didn’t have myself, alone – and so realize that whichever I was expecting to get from ‘art’ or someone in my life were and had been all points of separation, illusions that I believed were unable to be experienced within me. So this is how the best way to create a relationship with someone or something is to ensure that it is seen through the eyes of physical reality, where no emotions, feelings, no past experiences, no ideals, wants, needs or desires become a decisive factor in terms of defining who I am toward others, as all I have to consider is myself and within doing that I can then interact with something/someone based on the principles that I can integrate within myself, as the relationship that I want to establish for myself so that no matter what I do, where I am, with who or alone, I remain stable, supporting myself, getting to know about others in the relationships formed with my reality, recognizing myself as one and equal with them, instead of seeing them as points to ‘fulfill me’ or things/experiences that I believed I lacked.

I realize that it’s been supportive to revisit this aspect of ‘my relationship to art’ to review my state of affairs in relation to other relationships based on emotions in the past, and so to focus on preventing further ‘fuckups’ as the ups and downs and polarity relationships of ‘love and hate’ as that is all of the mind –  instead there are more physical aspects and perspectives to consider here as well.

Life on Earth in itself is built through relationships, so I cannot define relationships only as personal relationships with something or someone, but rather realize that we are all made of and constantly require and exist as relationships that define the way we live in our world – therefore the more we are able to act, participate and be part of these relationships in a physical and common sensical manner without being driven by desires, hopes, dreams, fantasies and illusions, the more we will be able to begin changing the focus of our reality – from the distraction that emotional relationships are to a rather physical process of aligning ourselves to that which enables our coexistence in the best possible manner – no feelings/emotions required for that, no special relationships but rather the equalization and realization of who I am as this interdependence

 

to be continued…

Mechanical Heart 06

 

To learn more about how to establish proper Relationships suggest the Re-defining Relationships – Agreement Course  as well as:

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389. Are Emotions Necessary to Be Creative?

Demystifying artistic endeavors and the experience during creative processes.

Continuing from:

 

Dejar de Sentir 04

For further context, an emotion is a usually negative experience that in my case I would use as a reason, starting point and ‘catalyst’ to create art. Now, one would believe that ‘negative experiences’ are usually undesirable, however in my case they became similar to how a person would want to hold on to happiness because of enjoying the experience of it. This is how I became a person that was more used to being within emotions rather than feelings – and the reason why being because I linked my experience as a response to me seeing the world around me and making ‘no sense of it,’ and as such having wanted to ‘escape’ it through my experience and my hobby, among other relationships and habits that were intertwined as a way to define ‘me’ as an emotional person that is too sensitive to the state of the world in which I would get to ‘feel good’ in such emotional states – therefore the context of this is to realize that an emotional experience even if it’s negative it is no different to being living through mostly feelings and ‘positive experiences’ as both are energy-based experiences that exist at a mind level.

 

Self Forgiveness on Emo-creations:

I forgive myself that I have accepted and allowed myself to define the word ‘expression’ based on artistic creation and thus limit the word expression to be immediately linked to ‘creating artworks’ or producing a formal piece of art mostly through drawing and painting wherein I would define expressing as experiencing an emotion or feeling within me and producing something while experiencing such feeling or emotion, sometimes of anger, sometimes of gloom and doom – most of the times – sometimes a yearning, hope, hopelessness and some other times just imagining what it would be to live in a perfect world, sadness – all of these I had defined as ‘my expression’ because at that time I had linked the ‘who I am’ entirely intertwined with emotions. This I now realize is not who I really am as those are emotions and feelings that I created a relationship with based on how I would experience myself within them, and thus how I accepted them as ‘who I am’ and eventually believing that ‘this is My expression’ which means an experience that is generated while creating an artwork.

I forgive myself that I have accepted and allowed myself to believe at that time that my expression was ‘unique’ and that means that my constant ‘mood’ or ‘state of being’ as any of these emotions were my catalyst to express myself/to create – therefore that is how the moment that I stopped being hopeless, angry, sad or moody I stopped ‘expressing myself’ as in creating any artwork, just because of how much I had linked the two points in relation to my emotional experience. Therefore

I forgive myself that I have accepted and allowed myself to define my creative abilities and skills based on ‘how I would feel’ and as such determining and defining that I could only ‘express myself’ if I was feeling in a particular ‘mood’ and thus dooming myself to only ‘feel creative’ based on an emotional experience, without realizing that a creative process has nothing to do with an emotional experience as it is a physical act of arranging certain elements to create something physical, to develop certain skills and that has nothing to do with an emotion directing my hand or my use of materials to do something.

I forgive myself that I have accepted and allowed myself to limit the expression of ‘I’m feeling creative’ to an experience, an emotion such as sadness, hopelessness, anger or general state of doom and gloom that I would then get excited about in order to ‘let it all out’ in a painting or drawing or writing sometimes as well, which I see is all linked to how I would hear/read about other artists like painters or musicians or writers how they would feel a certain way when they would create at their best, and so believing within myself in a way that because I was stopping my emotional participation and feeling experiences, then I wasn’t going to be able to create ‘good stuff’ any longer – which is then limiting my creation to emotions and feelings and it shouldn’t be so.

I forgive myself that I have accepted and allowed myself to ‘want to turn back time’ in order to change my decisions in life, which is rather not possible and it indicates that I haven’t dealt with the fact that I chose something based on my emotional experience about it and as such I forgive myself that I accepted and allowed myself to choose and make decisions in my life based on how I felt about it, based on my emotional experience and pursuing further emotional involvement in my life, without then knowing or even realizing how this was going to only lead me to continue being in a certain state of mind and ‘mood’ wherein I would have not been able to be stable as I am now since I had linked – back then – the creative process to emotions, a continued state of doom and gloom and be glorified by it – which is something that I saw was ‘special’ about people like Frida Kahlo for example who became a background influence and how I saw suffering as the key for her to make real art, as well as that whole blog I wrote about ‘You’ll need to suffer to make any real art’ as I realize that it’s about time that we as humanity move from linking emotions and feelings to creations that can become a supportive tool to realize ourselves, instead of glorifying emotions and feelings and keep us all trapped in the same mindset of being a ‘tormented sensitive individual in this evil world’ which is how I would see myself back then.

I forgive myself that I accepted and allowed myself to ‘feel creative’ when I was frustrated and angry for me not being ‘creating anything’ and as such the last time that I painted for a day or so, I was experiencing mostly emotions that I tried to once again ‘let out’ through the creative process which is rather like a mindfuck really because I realize that painting is a physical act of having materials that one use to arrange and imprint and mold and shape things in order to be arranged as a final product/ a final something that I create. So, I forgive myself that I have accepted and allowed myself to believe that I was incapable of creating anything ‘good’ without experiencing emotions such as sadness or being depressed and so linking my own stability to ‘not having anything to express’ or even ‘not being able to express now because I am not feeling that same way.’

I realize that it is about then dissociating any creative process from ‘how I feel’ or the ‘emotions’ I once believed I had to experience in order for me to ‘feel creative’ and realize that being creative is not a feeling, but a doing, a physical act of arranging certain matters and elements or images that I then use to create something that either generates a specific visual product or creative writing etc – anything that can be used to provide a message, to ‘say something’ through images or words or sounds or it all together. This is how then I see that my creative expression is linked to the media, the tools, the elements I can use to generate an expression, a message and that these are all conscious decisions and physical actions/moves to generate it and that I do not require an emotion to do it.

When and as I see myself believing that ‘I need to ‘feel creative’ as in being in a certain mood to create’ I stop and I breathe – I realize that I am limiting myself to experiencing emotions and not ‘any’ emotion but very specific ones in order to link it to ‘feeling creative’ which is not acceptable as I’ve already seen, realized and understood that ‘creating’ is a physical act, an intellectual process of picking elements and arranging them in order to produce a physical/digital product that I use to ‘express’ something, without this ‘expression’ meaning an emotion or a feeling only – but sometimes it is for the sheer aesthetics of it, sometimes in order to provide my own version of something I see in the world and this thus means stopping seeing ‘art’ as this emotional-creative process and creation as that is rather limiting once that I realize that I am here, I am a physical being and don’t really require emotions to exist and create.

I forgive myself that I have accepted and allowed myself to believe that ‘something is missing’ while creating something and seeing it as ‘pointless’ because I had mostly defined the process of creation as ‘having to generate an experience within me’ and if this was not in place, then It was ‘useless’ – so this is obviously me as the mind speaking and defining what ‘gives it a kick’ as an experience, an emotion while creating something or afterward when seeing the ‘final product’ instead of realizing that anything we create is a physical thing and I do not require to ‘feel’ something while looking at it, while doing it or being creating something – as this would only be ‘feeding the mind’ that seeks an energetic experience out of it. So this implies that expression is just that, me extending myself to use what I have available to say something, to do something, to arrange something in a way that I decide it to be and with a particular purpose – and this is then only doing that, creating something.

I forgive myself that I have accepted and allowed myself to link the definition of something being ‘pointless’ as in not getting an experience out of it in relation to the process of creating something or the final product thereof, based on how I would deem myself as ‘having a point’ or ‘having a reason’ to create when early on I would have people observing ‘my creations’ and writing about it or leaving comments or even poems to which I defined that ‘It meant something, I had a point’ and so when all of this stopped essentially because I stopped wanting to feed this ego of mine, then because I knew I wasn’t going to get the ‘energy fix’ out of it, then it became ‘pointless’ without realizing that this is once again the polarity creation of me first getting an energetic-kick out of ‘my creations’ and then when I stopped generating this emotions and experiences around it, then I saw it as ‘pointless’ – it’s only the mind speaking.

When and as I see myself having the starting point of ‘creating something’ based on the expectations of feedback, comments or others ‘admiring it’ – I stop and I breathe – I realize that anything I create is a process that I conduct out of my own volition, for my own support and to ‘straighten my ideas’ instead of expecting others to like it or praise it or comment on it, as this is already a conditional point to my expression based on ‘how others receive it’ which is usually how the ego that I formed in relation to ‘being an artist’ operates: doing things that would make me feel something while doing them, and also confirm such ‘specialness’ through the feedback I’d get from others. In this believing that without such ‘experience’ then it would be similar to rather doing nothing as ‘I would get nothing out of it’ lol, which is just ‘not getting and not participating’ in the ego-kick I had defined art to do ‘for me.’

 

I forgive myself that I have accepted and allowed myself to link the idea of ‘being creative’ to ‘being an artist’ and as such believing that ‘I am no longer creative because I am no longer emotional’ without realizing that this ‘linkage’ was created within the ‘who I was’ in the past and now I realize that being creative is simply having the ability to use what is here in order to ‘make’ something, to do something that can be supportive to convey a message, to be a supportive tool to illustrate something or sometimes just to make it for ‘the sake of it’ – however I understand that there is now the aspect of self-responsibility in everything that I create either at a mental or physical level and as such, I realize that doing something for the sake of ‘feeling’ something is not viable and not supportive – therefore I allow myself to see the word ‘creative’ or ‘being creative’ as what it means: doing something, making something from ‘scratch’ meaning using the elements that we have available in a particular order or arrangement to make something ‘new’ out of it – even if we cannot really create something ‘out of nothing’ as we always use what is here anyways.

 

I forgive myself that I have accepted and allowed myself to believe that ‘because of Process I stopped creating’ when in fact it was me through my limited definition of ‘being creative only when I’m emotional’ that I then saw that it was ‘not possible’ for me to create while being ‘stopping participation in emotions and feelings’ and also because of linking ‘creating’ and ‘being an artist’ to already pursuing an experience of ‘being more than/ being special/ being unique/ having to build up this unique presentation of myself’ which are all stereotypes I’ve picked up throughout the years based on how I carefully planned myself, my ego/personality adding up bits and bits that would shape me into becoming the ‘special’ individual I wanted myself to be back then. Therefore when realizing the starting point of my decision to study art, to ‘be creative’ and to follow through with it all into a career, I stopped wanting to have anything to do with it based on my own self-dishonesty as the starting point to it. Hence the ‘hate’ experience toward it that emerged was based on me having to let go of that which I had first given a lot of value, time, effort to create – and so it was like having to deconstruct that which I had invested a lot of time, effort, money on and so believe that now that I have to deconstruct the ‘ego’ of myself that I’ve created as an artist, I cannot now dedicate myself to this as it would be dishonest’ without realizing that such statement is rather limiting as well, and nothing else but holding the same relationship of friction and conflict with it, instead of establishing an equality toward this profession and treat it like any other profession, instead of wanting to ‘scratch it out’ of my life almost – yet at the same time liking and enjoying even watching/looking at the stuff that I did before.

Therefore I realize that in order to align myself to this profession it is to precisely not look at it within the eyes and mind-frame of the ‘who I was’ as that is certainly not here as myself as the decision of who I want to be and become any longer, and it would be rather difficult for me to pretend to ‘feel’ the same way I used to – but this doesn’t mean that I don’t have now the ability to create/be creative and use any material, tool or media to do create something that can be useful to convey a message. I realize that most of my limitation to ‘create’ comes from re-enacting the overall cycle of regretting my decisions, regretting my choice of career and using this to stop me or preventing me from doing anything ‘creative’ or create something, which doesn’t make sense as it is only me in my mind preventing me from doing something based on the definitions I’ve charged to even the moment of preparing myself to pain or create something, believing that I should be ‘feeling’ in a certain mood, while I realize now that it doesn’t have to be that way at all now.

I forgive myself that I have accepted and allowed myself to in my mind as the ‘who I was’ apply the usual extremism of ‘If I won’t get my emotional fix from it, then I want nothing to do with it’ which is kind of like a tantrum kind of experience or even self-spitefulness when realizing that I cannot continue ‘feeding’ my obsessions so to speak, and creating this ‘special aura’ around myself as ‘the artist’ or any emotional experience and as such, there’s also that layer of not being able to now use art to ‘generate these things for me, therefore I dump it’ and so going into the polarity aspect of denigrating it, seeing it as useless/pointless based on the definitions I had created about it. I realize that in doing this I do nothing but reactivate the grudge or regret or any other experience I had held toward ‘art’ or my career or anything related to ‘artists’ themselves, instead of seeing them and the profession in itself as a any other occupation in this world that one can use and become it in order to direct a new way to live it, to participate in society, to create and innovate ways in which change at an individual level can be conducted.

In this case I realize that de-mystifying the artistic-personality as a highly emotional individual is quite overrated and I realize that it was my ideas, beliefs and perceptions that shaped this definition within me and that an artist itself should not be other than a human being that can use creative processes at a physical and intellectual level in order to provide his/her own view of the world in order to convey a message, or express something that can be received by others as a way of communication.

I commit myself to be able to use any media, elements and skills that I realize can be used to generate a product or ‘something’ that I can use to convey a message, no different to writing and no different to being painting or drawing or creating images, as we can communicate in many ways as human beings, using different tools and methods to it – therefore I use what is here without defining it any longer within the constrains of  my old definition of art, but redefine art as a human creation that is conveying a message, is saying something and that’s it. It doesn’t have to me more or less than that which is equal to everything and everyone else that is here as life.

 

I commit myself to not link words like ‘expression’ or ‘creativity’ to only exist within the past-mindframe of ‘artistic expression’ but to identify them within the physical context that they imply which is me deciding to use certain elements and tools to make something, arrange something in order to give it a purpose, a meaning, and an intent within it.

 

I realize how these experiences stem from the relationship I formed toward art, meaning a relationship of separation wherein I would ‘get something out of it’ for my own mind-benefit and this is how when stopping that benefit – no different to stopping any other relationship with an individual – it is like the ‘shortage’ of experience makes me believe that it is ‘its fault’ or that I should now avoid and have to do nothing with the source of ‘temptation’ so to speak, without realizing that this is how we create our dramas as humans beings with these love-hate experiences based on how we would believe ourselves to ‘benefit’ from something, without understanding the actual relationship of separation formed in the first place.

So this is how through equalizing myself to myself, my ability to do/create/direct and make things is my own decision, my own ability and there’s nothing ‘more’ to it other than what it is as any other point that I create, arrange or direct as they are all also creative processes as well – no more and no less.

 

 

Trees are black

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74. “You’ll need to Suffer to make any Real Art”

 

When I was a young around 7/ 8 years old, my sister was in her nationalist era and she had several poster-paintings by Frida Kahlo in her room. Whenever I would go in there I would remain in awe looking at those images due to the content/ expression they represented as a lot of suffering – Frida crying, blood, self portrayals of her physical discomfort and all of these surreal passages that got stuck within my mind. I was actually quite ‘sad’ when she took them down because my mother thought it was ‘too depressive’ to have those paintings in her room, ‘too gory’ and ‘too much of a negative energy’ for the room.

I had not realized how these paintings became a platform to ‘build my expression’ due to the extent that they ‘awakened’ my emotional patterns, the desire to experience the same she was portraying in her paintings, it made me ‘feel alive’ which is how I began to identify that desire to ‘suffer’ and ‘feel pain’ in order to ‘create great art’ like that, and be able to ‘express’ something as meaningful as she did. Of course I got to know her story of actual physical discomfort due to her accident, which I simply used then as a way to think that I had to suffer, create some turmoil in my life to be able to depict it through paintings and get to be ‘as good as she was’ at it.

I began creating these ideas and relationships in my head that I could use to Create what I deemed were ‘similar experiences’ of pain and suffering – this was back in 2003 as I described in my previous post – just so that I could paint something like her paintings. Couple of years later I read in a book a quote that really got stuck in my head ‘True art comes from suffering’ – or something along the lines, and that confirmed my idea that ‘I wanted to be an artist because I could ‘feel’ such torture in my being,’ lol – which was actually built and self-created from a much earlier stage in my life – 7/8 years old – and only confirming that or believing that I had in fact ‘found my place in Art’ when reading such quote 10 years after the initial ‘imprint’ of this desire to create in an emotional state.

And so, the specialness aura goes for debunking through Self Forgiveness.

Pattern: Believing that great art is only existent if it evokes an emotion within me and others

I forgive myself that I accepted and allowed myself to believe that art could only be ‘great art’ if it evoked an emotional experience within me and others

 

Self Forgiveness Statements

I forgive myself that I have accepted and allowed myself to be haunted by the Frida Kahlo paintings in my sister’s room specifically because of the suffering, sadness and pain they portrayed, which caught my attention to the emotional depiction of sorrow, pain, suffering as something that I could experience while looking at them and within this, feeling ‘alive’ when looking at paintings.

 

I forgive myself that I accepted and allowed myself to develop an attraction to this particular depiction of human emotions through images depicting blood, pain, tears, the human physical body in pain and through that, creating the foundation of an emotional state that I would allow myself to to experience whenever I would go into my sister’s room to look at the paintings.

 

I forgive myself that I accepted and allowed myself to define myself as being attracted to the depiction of pain and sorrow in paintings, wherein I started valuing images depicting such emotional states as ‘great art’ and within that, me wanting and desiring to be able to paint similar topics to evoke the same emotions in others, the same way Frida’s paintings were evoking within myself.

 

I forgive myself that I accepted and allowed myself to within this fascination/ attraction for the paintings and the experience that I was obtaining from looking at them, start thinking that ‘someday I want to be a painter just like her’ – wherein this single thought became a desire later on as the years went by, which I eventually consummated when opting to finally study arts.

 

I realize that I made that decision from the Experience that I got which was linked to fascination, mystery and a vicarious enjoyment of staring at a painting that depicted suffering/ pain/ dismal view upon the world which I recognized as ‘my view of the world,’ yet it was simply the energetic experience that I was truly drawn to due to and because of the emotional body ‘awakening’ to these paintings and beginning the identification of myself as such emotions, as an experience that I defined as ‘preference’ and ‘kinship’ to the painter, without realizing it was just the mind finding its ‘source’ to generate emotions from a visual interaction with paintings depicting such emotions.

 

I forgive myself that I accepted and allowed myself to within this acceptance of myself as emotions, start thinking and believing that ‘I have to be an artist’ because of thinking that ‘not everyone would get the same experiences I did’ when looking at art, which was only due to and based to the accumulation of self-talk throughout the years to ‘find a taste’ on art because of the associations I started giving to Art as a ‘superior human activity’ in my mind – hence using it as a way to value ‘art’ more than any other human activity, to justify my eventual decision to ‘be an artist’ simply because of the curiosity around creation and the Experience that I would get from looking at art, images, video, etc.

 

I forgive myself that I accepted and allowed myself to want to be a painter just to be as ‘famous’ and ‘well-known’ as Frida, because she got to be a world-wide known persona and that’s what attracted me the most in terms of being a famous person.

 

I forgive myself that I accepted and allowed myself to desire creating images that could instigate the same emotional side that I got from looking at Frida’s paintings to other people, so that I could ensure that I could ‘touch’ people through paintings/ images, within this

I forgive myself that I accepted and allowed myself to be fascinated by someone that was so ‘filled with emotions’ and being apparently ‘mysterious’ as she was, due to her tormented life which became a trigger point for her creations.

 

I forgive myself that I accepted and allowed myself to feed my mind with thoughts of ‘fascination’ whenever I would be in my sister’s room and stare at the images for quite some time, trying to almost ‘suck’ the essence out of the pain and sorrow they represented and use it as a way to ‘make my own art’ which eventually influenced what I did without me wanting to openly admit it, because ‘hey, I have to be special!’

 

I forgive myself that I accepted and allowed myself to deny admitting or fear admitting that Frida Kahlo was one of my influences because of how ‘popular’ she is in Mexico and me wanting to be ‘unique’ and ‘special’ as ‘an artist,’ which I thought that when naming Frida as an influence, I would be tagged as cheesy or predictable – hence I kept it ‘hidden’ and always naming any other artist as ‘influence’ just so that I could remain in an apparent ‘safe zone’ of influences and not going for what seemed ‘obvious’ only in my mind.

 

I forgive myself that I accepted and allowed myself to believe that Frida’s paintings were a ‘great influence for me,’ wherein the idea of ‘influence’ is still used as a way to not directly accept that I in fact just wanted to be like her and experience myself the same way she did as ‘that made her create great art!’ without ever really measuring what it would be like to be living in constant depression, sorrow and pain as the emotions that I would get and imagine her experiencing when looking at her paintings.

 

I forgive myself that I accepted and allowed myself to from the moment of being in my sister’s room, looking at Frida’s paintings, create this ‘special moment’ of me staring at a work of art with a predisposition to ‘get something off it’ as an experience, and the more I was able to get any form of ‘empathy’ such as depression, sadness, chills or any other energetic experience, I would use as a measuring point to say that the artwork was ‘powerful’ and ‘great’ and if I didn’t get any emotion/ feeling from it: I would say the artwork is not good/ bullshit.

 

I forgive myself that I accepted and allowed myself to link the creation of emotions whenever I looked at art/ paintings/ music videos and any other image that I could use as a way to ‘feel alive’ through generating emotions and feelings from it.

 

I forgive myself that I accepted and allowed myself to define being emotional and mysterious as being a ‘superior being’ that is more ‘sensitive’ toward the world, when in fact it is no different to any other being existing as the mind, generating emotions and feelings instead of just Living here as breath – within this, I realize that I have pondered artists and creative people that are well-tormented as ‘superior’ because of how I programmed myself from that early age to associate being emotional = being alive, being more aware, being more ‘in touch with yourself,’ which is just another excuse for me to validate my career choice and entire personality as in wanting to be and become ‘an artist.’

 

I forgive myself that I have accepted and allowed myself to take the judgment of my mother toward Frida’s paintings on my sister’s wall as being ‘too sad and gory’ while making a gesture of disgust as a ‘good idea’ for me to do something that would deliberately vex her, disturb her, which is linked to an entire process that I’ve realized fairly recently due to the Heaven’s Journey To Life  blog how there is this friction relationship with the mother from the time of inception – hence this event was just part of me creating a point of friction toward her, to deliberately ‘shock’ and ‘disturb’ her, as a way to get out of the ‘cookie cutter pattern’ that I thought she wanted me to remain as/ impose onto myself because of being ‘her daughter’ – within this

 

I forgive myself that I accepted and allowed myself to like the idea of me doing something that would disturb my mother in a shocking way, as a statement of saying: I am not like my sisters, I do not have conventional preferences, I step out of the family mold – which is how through becoming the entire ‘eccentric’ role, I fed my self-belief as this art-lover more and more as that meant separating myself more and more from having to continue/ follow the steps of my sisters as what I deemed being ‘normal, ordinary, conventional’ in a derogatory/ inferior way, wherein I had placed the eccentric/ odd/ mysterious/ emotional in a superior place in my mental value scheme toward the world and people.

 

I forgive myself that I accepted and allowed myself to from the moment of seeing the shock and impact that images would create and instill in my mother to the point of her asking my sister to take them down, to then use paintings as a way for me to ‘go against her flow’ and create shocking images just for the sake of secretly vindicating my desire to vex and disturb my mother, even if I ‘hid’ most of those paintings from her, even till this day –

 

I forgive myself that I have not accepted and allowed myself to realize that the entire play-out of events from this moment on defined my desire to paint something that would be ‘eccentric’ and disturbing as a way to make my mother react or be bothered, and get a kick out of it – with no reason or purpose but that initial primordial relationship of mother/ daughter that began from the moment I was inside her womb.

 

I forgive myself that I accepted an allowed myself to choose a career just for the sake of wanting to ‘step out ‘of the mold that I believed I was being imposed with, and in that desire to ‘spite my mother’/ family structure, I opted to study something that represented ‘getting out of the family mold,’ without realizing that the only one I was fucking with was myself, as I would have to live with that decision based on all of these emotional and relationship play outs in my family that I defined myself according to.

 

I realize that the only one that is now living the consequences of such decisions based on experiences is myself, and it has nothing to do with the paintings, the painter, my mother or sisters, but only myself and my own mind as the definition of who and what I wanted to be and what I did not want to be ‘for others,’ not even for myself.

 

I forgive myself that I accepted and allowed myself to within spiting what I perceived were imposed decisions for my life from my mother, I took the ‘opposite road’ in order to ensure that ‘I’ could decide for myself, wherein I simply took the opposite road to spite them and separate myself from them, without actually realizing that the decision I was taking was for me and my own life and that the only one that would have to live with such decisions was myself, and that I was the only one that would have to live with it.

 

I forgive myself that I have accepted and allowed myself to not see that in my desire to ‘spite everyone else,’ I only spitted myself.

 

I forgive myself that I accepted and allowed myself to elevate art to the status of being something ‘eccentric and unique’ which fueled my desire to not be ordinary, to be ‘out of this world/ out of my family mold’ and within that, be ‘abnormal’ from the ‘normalcy’ that I had judged as pathetic and predictable, without realizing that we have all always been predictable as the mind patterns that work in mechanical ways wherein I was never really aware of me when living out those choices, but was only following a systematic pattern of creating friction and opposition in order to establish my self-righteousness over common sense in my life, to only fuel my ego.

 

I forgive myself that I accepted and allowed myself to begin painting with the desire to be emotional to have something ‘great’ to paint, and to evoke the same experience in another when looking at it, which is what I defined as what would make a painting ‘famous’ and ‘liked’

 

I forgive myself that I accepted and allowed myself to start seeing emotions – in a lesser manner also feelings – as a way to make a painting ‘come alive’ wherein I started believing that the emotional way I was painting in would define a painting s either successful/ not successful based on the reactions that others would be able to obtain from them.

 

I forgive myself that I accepted and allowed myself to want to ‘feel alive’ through paintings, associating this with having to be sad, dismal, depressed and angry at the world, which is how I would allow myself to reinforce emotions through words, pictures, ideas, thoughts, lyrics, books in order to gather ‘enough material to work with’ as an emotional experience that I would define as ‘feeling inspired’ to paint and portray that which I wanted to say in order to leave a ‘mark’ of my emotional state for the world – creating an entire mythology around my own paintings as something special.

 

I forgive myself that I accepted and allowed myself to think that because I didn’t have much to be sad about, I had to start creating my own sad stories and beginning to yearn for love and relationships, as that was another topic that I saw could generate a similar experience of ‘hopelessness’ and ‘dullness’ that I could express through images/ pictures according to how I would go tagging my reality as sad/ dismal and portraying that as paintings.

 

I forgive myself that I accepted and allowed myself to talk myself into depression and deliberately triggering thoughts/ using images to create these emotional experiences because I defined that I could only be alive and be ‘sensitive enough’ just like an artist/ Frida, to create any good work of art.

 

I forgive myself that I accepted and allowed myself to believe that I could only create art if I had a ‘broken heart’ or a yearning for a relationship, which are the points that I fueled in order to paint.

 

I forgive myself that I accepted and allowed myself to start looking at this world as being damned and shitty, as a thought in my mind just for the sake of making of that thought a painting that could make me ‘feel’ like I as this sensitive person to what was going on in the world – hence making me special in my own eyes and wanting to be special at the eyes of others = the desire to be an eccentric unique being.

 

I forgive myself that I accepted and allowed myself to start seeing everyone as sad and dismal and slaves, which became the actual filter with which, till this day, I have been walking in order to not constantly feed the same pattern that I created in order to fuel my ‘creative abilities’ when using emotions as a trigger point for me to paint. This implies that I began seeking for the ‘negative experiences’ as a way to make myself feel ‘better’ about myself and feel ‘good’ whenever I could create with using such ‘emotional states of being’ as a source of ‘inspiration.’

 

I forgive myself that I accepted and allowed myself to believe then myself to be ‘too sensitive for this world,’ wherein I simply took the idea of ‘an artist being a more sensitive being’ wherein in my mind, being an artist and being sensitive meant a more ‘evolved’ human being, a more ‘humane’ being without ever realizing what emotions were really all about until now through what we learn and educate ourselves with at Desteni.

 

I forgive myself that I accepted and allowed myself to talk myself into believing that I had a ‘gift’ to represent emotions in a touching manner through my paintings/ images/ drawings/ pictures, which became a point that I held on as myself, as if I was special about it.

 

I forgive myself that I accepted and allowed myself to talk myself into desiring a relationship, instigating any form of problem and friction within myself to have something to be sad, bothered, angry about in order to paint.

 

I forgive myself that I accepted and allowed myself to believe in the sentence ‘True art only comes from suffering’ from Palahniuk’s books that I took on as a creed, and that I used to fuel my desire to have experiences in order to have something ‘meaningful’ to paint, which is how I would judge then what ‘good art’ and what ‘bad art’ was based on the amount of emotions and feelings I could generate/ get from looking at art, without realizing that I had programmed myself to act and believe that this was actually ‘so’ within itself which means: there was never ever something ‘special ‘and ‘unique’ about it, other than my obvious self-brain washing in a desire to be special.

 

I forgive myself that I have accepted and allowed myself to remain within the belief that ‘I had to be inspired to create any good art’ which mean ‘I had to be experiencing an emotion – preferably – to make any good painting, and that if I was rather ‘happy’ or in a positive attitude, it would mostly not be a good work of art, but only a spoof of reality.

 

I forgive myself that I accepted and allowed myself to believe that the sadder I felt, the better the painting would come out to be, wherein I would deliberately begin painting when I thought that I was sad enough, angry enough to do so.

 

I forgive myself that I accepted and allowed myself to continue with this pattern of believing that creation required myself to be in a particular emotional way to generate emotions within others and within that, make of ‘my work’ something ‘great’ due to and because of how I had believed that only great works of art stem from feeling sad, experiencing sorrow and depression, which became a state of being that I deliberately sought in order to ‘make great art,’ without ever realizing I was only manipulating myself in order to fit my own ideal of what ‘great art’ is supposed to be.

 

 

Self Corrective Statements

 

When and as I see myself believing that ‘great art’ is that which is able to evoke an emotional experience within me and others, I stop and I breathe – I realize that I programmed myself this way from the time when I got an experience from Frida’s paintings that became the ‘blueprint’ for me to establish what is ‘great successful art’ and what is not, wherein through this value system I simply accept myself to be an emotional-robot that can only feel ‘alive’ if being ‘emotional’ in any way as a state of being.

 

When and as I see myself believing that being an artist is being a ‘special unique being’ and ‘sensitive’ toward the world, I stop and I breathe – I realize that in art the emotional and feeling bodies are used to give further meaning to just images and things in order to perpetuate the idea of the human being a sensitive creature, which is in no way what we really are as the proof of what our desire and drive for experiences is Here as the consequence of this absolute self interest wherein we can do ‘anything’ jus to ‘feel everything’ even if it means depleting the earth’s resources in the name of a feeling/ emotion, abusing ourselves, abusing life and simply perpetuating a monetary system that in no way is supporting LIFE but only the human as experiences within emotions and feelings that keep us all occupied in our minds and neglecting the reality that is crumbling down every step that we take to fulfill our ‘dreams’ instead of acting and caring to consider what is best for all instead.

 

When and as I see myself being drawn to pictures that depict sorrow, suffering, blood, tears, sadness, I stop and I breathe – I realize that I programmed myself to develop my ‘emotional side’ as the mind within looking at such images, in order to ponder emotions as ‘living’ and equating them to a ‘higher level of consciousness’ due to the belief that I held toward ‘emotions/ feelings’ being the actual ‘core’ of being a human being as in ‘being alive,’ yet absolutely neglecting the consequences that such feelings and emotions had on a physical level in every body, but only going for that rush as the actual energy that I would create whenever I could become emotional, just like a drug that I could generate through my own thoughts and my own images to reinforce such thoughts

 

When and as I see myself believing that I ‘chose my career’ based on my ‘affinity with art and life’ I stop and I breathe – I realize that this was just the result of me talking to myself to become someone eccentric – as I deemed artists to be – and within that, doing everything that I could to emulate the lives of beings that were artists so that I could be ‘one of them’ by identifying myself with their emotional experience and existence, which I defined as ‘living’ and being a ‘more aware being’ which was never really so, but only a highly ingrained belief system wherein I believed that an emotional being was ‘in touch with themselves, ‘when It was only being in touch with the mind as self, but never self aware as the totality of this world – without realizing that artists, just like any other human being, are only infatuated with their own thoughts, imagination, emotions, feelings, which is no different to any other being existing in absolute self-interest and self-obsession – thus

 

When and as I see myself seeing an ‘artist’ with this aura of ‘specialness’ when compared to other ‘normal’ beings, I stop and I breathe. I realize I am perpetuating my own mindfuck toward art/ artists being ‘special’ and ‘unique beings’ which is why I sought to be ‘one of them’ when deliberately wanting to ‘identify’ myself with artists and their lives.

 

When and as I see myself looking at a work of art with the desire to get an ‘experience’ out of it, I stop and I breathe – I realize that the reason why art is ‘art’ is because of reinforcing the emotions and feelings of people – instead I can direct myself to see how I can use art as an effective way to instigate the realization of us human beings being responsible for this world and this Earth as each one of us, which is a more tangible way of using images in the name of Self-Support as Life, and not as mere instigators of emotions and feelings as ‘human nature.’

 

When and as I see myself wanting to make a decision in my life based on the desire to oppose my family/ the world/ ‘normal people,’ I stop and I breathe. I realize that this is a basic mechanism that I have used throughout my life to generate conflict and separate myself from others in means of keeping me as ‘special’ and ‘unique,’ which is in fact just another egotistical way to ensure that ‘I’ remain special/ unique within the ‘artist role,’ instead I realize that all decisions I make must be considered within the outflows and consequences of the entirety of ‘who I am’ in that moment of decision, taking all into consideration wherein I ensure I am not opposing something/ someone, wanting to ‘avoid’ or wanting to create an experience within me as ‘living,’ – but instead direct me to consider the practical, physical and tangible steps to walk that decision that will be founded upon the consideration of what is best for all life, what is it really required to be and be done in order to establish LIFE in this world.

 

I realize that I had only sought to be and become this profession to indulge in my egotistical personality, my desire to be special and unique – instead of ever really considering what can I be and become in order to be an actual participant that takes on a position within reality to change the world that I judged for so long, and daring to first walk that process myself which is what I am now walking as my own correction to the decisions I made based on opposition, retaliation in my own mind to create a sense of superiority toward ‘the rest of the world,’ trying to ‘not be of this world’ by ‘being an artist’ and creating an aura of specialness around me.

 

When and as I see myself desiring to ‘not be like everyone else’ I stop and I breathe, I realize that this is the mechanism that we all accept as ‘normal’ within ourselves, but is in fact the basic platform from which inequality stems, because such statement implies: I want to be special, I want to be ‘more’ than others – hence allowing an entire system that enables such ‘specialness’ through the value given to different professions and skills that can actually be equalized for all if we stop holding anything as more or less than who we are as one and equal. Thus I see that the equalization of myself as life begins with stopping one single thought as a desire to ‘not be normal/ ordinary.’ I direct myself to stand as one and equal as the totality that we are wherein there can be no more and no less, but only self-expansion from the confinement of a mind that seeks to be ‘above others’ into the creation of a reality that I can in fact contribute to be supportive for all equally, and in that, supporting people’s expression to be artists and create themselves as the individuals that we all can be if regarding ourselves as life in Equality.

 

I realize that the reason why I considered art as some ‘unique’ and ‘special’ activity/ profession in my world, was because of the fame and aura of ‘specialness’ that artists would get, which became my actual desire to be and become an artist for such desire to be recognized and praised as some ‘great creator’ only to fuel my ego and desire for specialness, which stems from an actual inferiority and sense of ‘lacking’ such wholeness/ completion as myself as my physical being, but believing that I had to seek to be ‘more’ than myself as who and what I’ve been and am and will be until I die: my physical body here, breathing.

 

When and as I see myself believing that I can only create when I am feeling ‘emotional’ in any way – I stop and I breathe – I realize that this is the reason why I believe that ‘I do not want to create anything’ just because I have not been as ‘emotional’ as I used to, wherein I have stopped having this desire to ‘create’ because of the link I created between art creation and emotional experience. Thus I direct myself to create without thinking that I require to be emotional/ inspired to do so, which is then me creating as a moment of expression within myself that does not require to be backed by an experience, but can be directed as the moment in common sense = considering what’s best for all as a creation that is not fueled by emotions or feelings, but only externalizing the expression of myself in any given moment that I direct myself to do so.

 

When and as I see myself wanting to get positive feedback on my creations as a way to ‘know’ that I have ‘touched’ them in any way, I stop and I breathe – I realize that I am trying to make of art an emotion/ feeling instigator instead of actually supporting myself and others to stop the mind and get back into the physical reality that does not require feelings or emotions to be and exist – hence I direct myself to use pictures, images, paintings in common sense to give them a new meaning based on what life is, what life can be if we all work together to actually create a world that’s best for all, wherein the only role that art can take is the creative process in itself wherein we all realize ourselves as our own creators and within that, being self responsible about such creations in order to ensure that we are in fact considering each other in every moment of creation, and stop creating as a means to elevate our egos –

 

I commit myself to stop any aura of specialness toward art, and simply accept it, see it as any other form of expression coming from a fellow human being that is valuable just for the part of this reality that it represents, without seeing it as ‘holy objects’ or ‘special objects’ in my world.

 

I commit myself to establish the Equal Money System that will ensure that dreams of fame and fortune stop being this constant fuel for the desire to be special and unique within beings, but instead become an actual point of support to ensure that all beings can learn how to express through art if they want to do so, and have no restrictions based on time, survival or any other form of belief of what is art/ what is not art – but simply using materials to create as a way to get to know ourselves through our creations, be able to reflect about reality in a self-supportive way wherein emotions and feelings are no longer in the way but we direct the work to be an actual representation of the realization of who we are as one and equals as life.

 

 

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