Tag Archives: suffer

89. Righteous Victim

Continuing from
  • 87. Tantrum-me : Explaining the memory of childhood that created the pattern and condition of ‘the victim’
  • 88. The Victim: Walking the Self-Forgiveness process on the childhood memory along with other points that emerged when walking the Self Forgiveness
 
Self Corrective Statements.

This is the Self-Corrective process to stop the pattern from playing out from here on when and as I see myself in particular events/ situations that present the same trigger points that I would react to based on the particular character identified as ‘The Victim.’

 

When and as I see myself suiting a memory in order to place myself as the victim within a particular event/situation, I stop and I breathe – I realize that the ability to stop playing as a character based on the past as memory is here the moment that I do not participate and instead, continue walking, breathing and directing myself in common sense according to what is here as reality.

 

I realize that the advantage used before within ‘being the offended’ in the story was to place myself as superior to the other characters in the story, without realizing that I cannot base my existence of ‘who I am’ as the offender/ offended in a particular event – it is about me taking responsibility for what I do, say and think in the moment wherein if I in any way think or react in an emotional way, I direct myself to investigate the point to see where it is that I haven’t yet walked the self forgiveness in relation to the particular memory it is stemming from, in order to realize the cycle that must be stopped as a particular thinking pattern within me, such as victimizing myself toward beings in my reality based on the memories I held of them within my own mind.

 

When and as I see myself expecting someone to feel ‘bad’ about something that they have done, I stop and I breathe – I realize that I am following the pattern of expecting someone to react in a way that makes me feel in ‘power and control’ over them. Thus I direct myself to instead support myself to stop any thoughts, reactions and then support them to instead of falling into guilt, blame and remorse, realize the point of responsibility through self-forgiveness and walk the necessary corrections in self-honesty.

 

When and as I see myself acting out of righteousness as in thinking that ‘I want to/ I can do this all by myself,’ I stop and I breathe- I realize this is the ego of the mind speaking as the ingrained pattern in and during childhood. Thus I realize that I can instead learn how to work and direct points in working with others, as that is an effective way to expand ourselves into a more effective way of living as equals.

 

I realize that this is in essence an ingrained pattern that I played out as a child wherein I would deliberately want to do it ‘on my own’ based on how my parents wanted to do things for me, the same with teachers when placing an example and giving ‘too many examples for my taste,’ wherein I would go into a haste of wanting them to just stop and allow me to do it on my own.

 

I realize then that this pattern of wanting to do it on my own and in essence devoid of ‘authority supervision’ was my way to prove that I do not require to be directed by others- just another form of incipient ego that I developed as a child because it was not from an actual realization of me being able to do it by myself, but mostly getting pissed off when ‘being shown’ how to do things, placing myself in the ego stance as if I was already ‘all knowing’ and didn’t require to be directed.

 

When and as I see myself reacting in exasperation and irritation when things/ points are being shown to me, I stop and I breathe – I realize that the only reason why I am reacting is because I am coming from the ‘who I am’ as the ego that doesn’t require explanations, directions and ‘knows how to do it,’ which is till this day an ingrained pattern wherein I react whenever someone gives me direction and common sense is shoved away and first emerges this reaction of ‘being told what to do,’ wherein I then believe that I was not being ‘effective enough’ and as such, diminish myself in that moment of taking the directions/ suggestions, instead of walking in common sense to not consider who is giving the instructions and within what context – but simply hear and apply based on common sense as what’s best for all.

 

When and as I see myself reacting to authority in/as any personality/ character, I stop and I breathe. I realize that I simply have to consider at all times what is best for all, and as such direct myself to establish my common –sense as a living direction wherein I stop acting and reacting based on the ‘who I am’ as the ego of the past, and instead unconditionally live here in every moment character-less.

 

When and as I see myself using any means such as ‘threats’ in order for others to act / move / direct a particular point, I stop and I breathe – I realize that this authoritarian character and imposition is a point that I accepted and allowed myself to play out from childhood wherein I learned how I would only move if I was threatened with something.

 

I realize that this mechanism acts in the form of instilling fear of experiencing something that I loathed – for example, being tickled until I would almost pee myself – if I didn’t remove my school uniform when getting home from school – which became a ‘game’ with my mother though at the same time I was actually petrified of being tickled until I would almost or sometimes pee myself because of the laughter mixed with fear.

 

I see that what may seem as a ‘meaningless game’ has actually instilled a traumatic-exposure as a way to move/ direct myself instead of having a common sensical explanation of why I should do it, instead of just imposing and order along with a threat if I didn’t do it.

 

When and as I see myself wanting to be ‘special’ because of not reacting/ acting in an apparent ‘predictable pattern’ in relation to ‘the masses’ – I stop and I breathe- I realize that any reaction and any assessment of ‘which character am I at the moment’ is also another form of ego as I am basing my existence here in the moment in relation to comparing myself to others in the moment.

 

Thus I remain breathing wherein there can exist no character at all.

 

When and as I see myself experiencing a sense of freedom, self-direction and independence when pushing a trolley – which is and has been a quiet experience within me every time and only now am I noticing it – I stop and I breathe – I realize that this is linked to that point of ‘taking the wheel’ in my life as a self-righteousness pattern, along with the characters of efficiency and effectiveness that I have exposed to myself in relation to my father. Thus I direct myself to simply walk with a trolley here, in the moment, one and equal, doing whatever it is that I have to do in the supermarket.

 

It’s fascinating how such a seemingly ‘unimportant’ point as pushing a trolley can be loaded with an entire character based on ingrained memories from the past as childhood.

 

When and as I see myself wanting to do the opposite of what the perceived point of authority in my reality is pointing out myself to be/ do and direct, I stop and I breathe. I realize that acting out of reaction is not best for all, but only suiting my ego as to ‘be right’ / have the best direction and/ or just deliberately causing friction within another as an ingrained way to maintain myself as ‘superior’ and ‘right’ toward others.

 

When and as I see myself saying the words ‘why didn’t you tell me? How come no one let me know?’ I stop and I breathe – I ensure that I am not charging these words with energy as in feeling ‘left out’ and ‘rejected’ or deliberately ignored based on the memories of myself as a child – thus I realize that I can direct such words to relate to a practical point wherein I do not take things personally, but instead first see and check what was the context in the moment and if I was required to ‘be there’ or not.

 

A memory comes up when I was at the farm and I was washing, which means that I would not be hearing much based on the noises in the laundry room. And then I saw that there was not much movement around, so after a while I realized that everyone was in a meeting and I had not been called – I got into such anger immediately toward my partner in that time because ‘it was his duty to let me know,’ and in that moment I became possessed with anger that I eventually exerted it out after all onto him, which was one of the times that I was being shown and revealed how I was blowing things out of proportion and deliberately wanting him to react in a similar way. But because I would see ‘indifference’ and ‘no reaction,’ I would get even more pissed off about it. I was instead shown how I was simply acting out of a mind possession, which was a cool point to see and realize once I allowed myself to Hear and stopping the raging backchat in the moment. I saw how I would immediately take it personal instead of investigating first the point and remain here as breath throughout it, and direct the necessary points to correct from here on. Instead I reacted heavily in anger which I see can be associated with this childhood memory and other memories of believing and perceiving that I am deliberately being ignored/ not called/ not taken into consideration – plus not getting the necessary ‘shame’ and remorse from another to make myself feel like the righteous victim in that moment – which is only a mind-trap for me to remain as a victim that can later on use this as a means to retaliate toward the person/ people that apparently had ‘done this unto me.’

 

When and as I see myself reacting to people in a certain event wherein I believe that I am being deliberately uninformed/ left out/ rejected – I stop and I breathe. I direct myself to remain here as breath and instead simply get the necessary points that I require to be aware of and continue with my daily tasks/ doings.

When and as I see myself deliberately raging against someone within the expectation of having them react to my words in a similar negative way, I stop and I breathe – I realize that this point of ‘raging against someone’ must not even exist if I am able t to direct myself in breath throughout situations instead of taking it personally and blowing things out of proportion.

 

I realize that I am reacting in an automated manner based on the memories of ‘who I am’ that I had not even been able to spot before as they were patterns ingrained in childhood.

 

When and as I see myself going into the pattern of being the ‘odd one’ in the family context, I stop and I breathe – I realize that this is just based on certain events wherein I built up the belief of me not being ‘a desired child’ which I would use as a means to have something to ‘oppose to’ in my world just for the sake of creating friction and conflict toward others.

 

I instead direct myself to remain here as breath, communicating and being here without assessing ‘who I am’ in that moment as a character based on the past in relation to the memory of myself as part of a particular family construct.

 

When and as I see myself wanting to deliberately blow things out of proportion in order to instigate further inner conflict in another so that I can feel like ‘the winner’ in my own mind, I stop and I breathe. I realize that this is me wanting to enhance myself as the self-righteousness character. Instead, I direct myself to remain here as breath wherein I can hear/ read the point unconditionally and as such, place myself in the shoes of another to see what is the best direction to give and do based on what’s best for all parts involved.

 

When and as I see myself believing that I am being deliberately ‘excluded’ for some point/ activity/ event, I stop and I breathe – I realize I am taking it personal wherein I think that I am being singled out for the sake of some personal ego reasons. I realize that this is only existent within my mind based on how I programmed myself from childhood to believe that I was the ‘unwanted child’ and as such, have a ‘reason’ to rebel against family/ authority in my mind.

 

When and as I see myself deliberately getting angry, shouting and making an entire ‘big deal’ out of an event in order to instill fear and a general shock in another so that they can react in guilt, shame, remorse, I stop and I breathe. I realize that I am simply wanting to place myself as above them and getting an energetic kick out of their reaction. Thus I breathe through the words, I stop any reaction and instead direct the point within the consideration of what is best for all in the moment, ensuring I do not take it personal but instead support myself and the other person to establish a proper communication to sort out/ direct the point effectively.

 

When and as I see myself speaking words toward another from the starting point of deliberately ‘putting more wood on the fire,’ I stop and I breathe. I realize that I am acting out of the victim personality that seeks to feel ‘more’ and ‘better’ than the other by instigating a particular ‘negative experience’ within them, so that I can feel good/ positive experience within me.

 

I realize that I am able to share perspectives and points in another however, all have to be based from the clear starting point of ensuring that I am not deliberately pointing fingers as to make others feel ‘like shit’ but to support another as myself to establish ourselves as self-directive beings that in all cases consider what is best for all people involved in equality.

 

When and as I see myself taking the ‘benevolent being’ character that is ‘willing to forgive another for what they’ve done,’ I realize that this is just plain ego as no one can forgive another, it is plain separation. I instead support another to walk through the point in Self-Forgiveness wherein I ensure I also walk the necessary self-forgiveness to unconditionally let go of any reactions emerging in the moment within me – I take responsibility for my mind, my thoughts, my words and reactions – thus I make sure I am breathing before speaking.

 

When and as I see myself playing out the character of ‘the one that is able to point out shit in another,’ I stop and I breathe – I realize that this ‘observer’ pattern as ‘the judge’ has been prominent within me instead of placing myself equal and one to another in the moment to then direct myself ‘as them’ to see the points that require direction. I see and realize that taking the character of ‘the judge’ is me believing myself to always be right and a such already place myself as inequality toward another – I direct myself to ensure I am breathing when interacting with another and I place myself in the moment within the consideration of what is best for all as equality and oneness.

 

When and as I see myself playing out the ‘polite one’ in order to get what I want, I stop and I breathe – I realize this is a manipulative pattern within me wherein I can simply direct myself to ask for the point without using surreptitious cloaked means to do so by instilling positivity in another to get my reward/ prize/ winning situation.

 

When and as I see myself expecting some ‘reward’ from another based on a previous event wherein I have experienced myself as ‘the victim,’ I stop and I breathe – I realize that reward is and has been a mechanism to make myself feel better after having felt being wronged and as such, all forms of ‘instilling happiness’ within me is based on me allowing myself to exist as a character based on the past and memories of childhood. Thus, I direct myself to not expect and not create any future projections and expectation toward anything or anyone.

 

When and as I see myself deliberately placing a gesture of sadness, depression or any other anguished face – I stop and I breathe – I realize that this is only possible when I am around people and I want to deliberately make them react to the face and ask ‘what is wrong?’ ‘what is going on?’ – hence this is deliberate manipulation that can only exist if I allow myself to remain as a character that instills a negative experience In another, to obtain commiseration as a positive experience in reward, which is just me supporting characters as myself and others in this world. I ensure that I first take on the thought pattern to see where and how I am victimizing myself in the moment, walk it through self forgiveness to ensure I stop the character in its root – myself – instead of going out and deliberately exposing it to get the reactions I want/ need and require to maintain the victimization character.

 

I commit myself to continue writing out the characters ingrained within childhood that I accepted and allowed myself to be and become as it is clear how such points have remained as a righteousness within me without questioning it further, instead of realizing that I have been the creator of them all  = hence it is absolutely possible for me to stop them.

 

I commit myself to remain here as breath in every single moment of my day to day living, wherein I realize that the smallest reaction is myself existing as a character that must be investigated, self forgiven and self-corrected to stop the cycles of the past existing within and as  me.

 

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Darla 06

Darla (2006)

Self Support on Childhood memories and considerations to walk in our process:


74. “You’ll need to Suffer to make any Real Art”

 

When I was a young around 7/ 8 years old, my sister was in her nationalist era and she had several poster-paintings by Frida Kahlo in her room. Whenever I would go in there I would remain in awe looking at those images due to the content/ expression they represented as a lot of suffering – Frida crying, blood, self portrayals of her physical discomfort and all of these surreal passages that got stuck within my mind. I was actually quite ‘sad’ when she took them down because my mother thought it was ‘too depressive’ to have those paintings in her room, ‘too gory’ and ‘too much of a negative energy’ for the room.

I had not realized how these paintings became a platform to ‘build my expression’ due to the extent that they ‘awakened’ my emotional patterns, the desire to experience the same she was portraying in her paintings, it made me ‘feel alive’ which is how I began to identify that desire to ‘suffer’ and ‘feel pain’ in order to ‘create great art’ like that, and be able to ‘express’ something as meaningful as she did. Of course I got to know her story of actual physical discomfort due to her accident, which I simply used then as a way to think that I had to suffer, create some turmoil in my life to be able to depict it through paintings and get to be ‘as good as she was’ at it.

I began creating these ideas and relationships in my head that I could use to Create what I deemed were ‘similar experiences’ of pain and suffering – this was back in 2003 as I described in my previous post – just so that I could paint something like her paintings. Couple of years later I read in a book a quote that really got stuck in my head ‘True art comes from suffering’ – or something along the lines, and that confirmed my idea that ‘I wanted to be an artist because I could ‘feel’ such torture in my being,’ lol – which was actually built and self-created from a much earlier stage in my life – 7/8 years old – and only confirming that or believing that I had in fact ‘found my place in Art’ when reading such quote 10 years after the initial ‘imprint’ of this desire to create in an emotional state.

And so, the specialness aura goes for debunking through Self Forgiveness.

Pattern: Believing that great art is only existent if it evokes an emotion within me and others

I forgive myself that I accepted and allowed myself to believe that art could only be ‘great art’ if it evoked an emotional experience within me and others

 

Self Forgiveness Statements

I forgive myself that I have accepted and allowed myself to be haunted by the Frida Kahlo paintings in my sister’s room specifically because of the suffering, sadness and pain they portrayed, which caught my attention to the emotional depiction of sorrow, pain, suffering as something that I could experience while looking at them and within this, feeling ‘alive’ when looking at paintings.

 

I forgive myself that I accepted and allowed myself to develop an attraction to this particular depiction of human emotions through images depicting blood, pain, tears, the human physical body in pain and through that, creating the foundation of an emotional state that I would allow myself to to experience whenever I would go into my sister’s room to look at the paintings.

 

I forgive myself that I accepted and allowed myself to define myself as being attracted to the depiction of pain and sorrow in paintings, wherein I started valuing images depicting such emotional states as ‘great art’ and within that, me wanting and desiring to be able to paint similar topics to evoke the same emotions in others, the same way Frida’s paintings were evoking within myself.

 

I forgive myself that I accepted and allowed myself to within this fascination/ attraction for the paintings and the experience that I was obtaining from looking at them, start thinking that ‘someday I want to be a painter just like her’ – wherein this single thought became a desire later on as the years went by, which I eventually consummated when opting to finally study arts.

 

I realize that I made that decision from the Experience that I got which was linked to fascination, mystery and a vicarious enjoyment of staring at a painting that depicted suffering/ pain/ dismal view upon the world which I recognized as ‘my view of the world,’ yet it was simply the energetic experience that I was truly drawn to due to and because of the emotional body ‘awakening’ to these paintings and beginning the identification of myself as such emotions, as an experience that I defined as ‘preference’ and ‘kinship’ to the painter, without realizing it was just the mind finding its ‘source’ to generate emotions from a visual interaction with paintings depicting such emotions.

 

I forgive myself that I accepted and allowed myself to within this acceptance of myself as emotions, start thinking and believing that ‘I have to be an artist’ because of thinking that ‘not everyone would get the same experiences I did’ when looking at art, which was only due to and based to the accumulation of self-talk throughout the years to ‘find a taste’ on art because of the associations I started giving to Art as a ‘superior human activity’ in my mind – hence using it as a way to value ‘art’ more than any other human activity, to justify my eventual decision to ‘be an artist’ simply because of the curiosity around creation and the Experience that I would get from looking at art, images, video, etc.

 

I forgive myself that I accepted and allowed myself to want to be a painter just to be as ‘famous’ and ‘well-known’ as Frida, because she got to be a world-wide known persona and that’s what attracted me the most in terms of being a famous person.

 

I forgive myself that I accepted and allowed myself to desire creating images that could instigate the same emotional side that I got from looking at Frida’s paintings to other people, so that I could ensure that I could ‘touch’ people through paintings/ images, within this

I forgive myself that I accepted and allowed myself to be fascinated by someone that was so ‘filled with emotions’ and being apparently ‘mysterious’ as she was, due to her tormented life which became a trigger point for her creations.

 

I forgive myself that I accepted and allowed myself to feed my mind with thoughts of ‘fascination’ whenever I would be in my sister’s room and stare at the images for quite some time, trying to almost ‘suck’ the essence out of the pain and sorrow they represented and use it as a way to ‘make my own art’ which eventually influenced what I did without me wanting to openly admit it, because ‘hey, I have to be special!’

 

I forgive myself that I accepted and allowed myself to deny admitting or fear admitting that Frida Kahlo was one of my influences because of how ‘popular’ she is in Mexico and me wanting to be ‘unique’ and ‘special’ as ‘an artist,’ which I thought that when naming Frida as an influence, I would be tagged as cheesy or predictable – hence I kept it ‘hidden’ and always naming any other artist as ‘influence’ just so that I could remain in an apparent ‘safe zone’ of influences and not going for what seemed ‘obvious’ only in my mind.

 

I forgive myself that I accepted and allowed myself to believe that Frida’s paintings were a ‘great influence for me,’ wherein the idea of ‘influence’ is still used as a way to not directly accept that I in fact just wanted to be like her and experience myself the same way she did as ‘that made her create great art!’ without ever really measuring what it would be like to be living in constant depression, sorrow and pain as the emotions that I would get and imagine her experiencing when looking at her paintings.

 

I forgive myself that I accepted and allowed myself to from the moment of being in my sister’s room, looking at Frida’s paintings, create this ‘special moment’ of me staring at a work of art with a predisposition to ‘get something off it’ as an experience, and the more I was able to get any form of ‘empathy’ such as depression, sadness, chills or any other energetic experience, I would use as a measuring point to say that the artwork was ‘powerful’ and ‘great’ and if I didn’t get any emotion/ feeling from it: I would say the artwork is not good/ bullshit.

 

I forgive myself that I accepted and allowed myself to link the creation of emotions whenever I looked at art/ paintings/ music videos and any other image that I could use as a way to ‘feel alive’ through generating emotions and feelings from it.

 

I forgive myself that I accepted and allowed myself to define being emotional and mysterious as being a ‘superior being’ that is more ‘sensitive’ toward the world, when in fact it is no different to any other being existing as the mind, generating emotions and feelings instead of just Living here as breath – within this, I realize that I have pondered artists and creative people that are well-tormented as ‘superior’ because of how I programmed myself from that early age to associate being emotional = being alive, being more aware, being more ‘in touch with yourself,’ which is just another excuse for me to validate my career choice and entire personality as in wanting to be and become ‘an artist.’

 

I forgive myself that I have accepted and allowed myself to take the judgment of my mother toward Frida’s paintings on my sister’s wall as being ‘too sad and gory’ while making a gesture of disgust as a ‘good idea’ for me to do something that would deliberately vex her, disturb her, which is linked to an entire process that I’ve realized fairly recently due to the Heaven’s Journey To Life  blog how there is this friction relationship with the mother from the time of inception – hence this event was just part of me creating a point of friction toward her, to deliberately ‘shock’ and ‘disturb’ her, as a way to get out of the ‘cookie cutter pattern’ that I thought she wanted me to remain as/ impose onto myself because of being ‘her daughter’ – within this

 

I forgive myself that I accepted and allowed myself to like the idea of me doing something that would disturb my mother in a shocking way, as a statement of saying: I am not like my sisters, I do not have conventional preferences, I step out of the family mold – which is how through becoming the entire ‘eccentric’ role, I fed my self-belief as this art-lover more and more as that meant separating myself more and more from having to continue/ follow the steps of my sisters as what I deemed being ‘normal, ordinary, conventional’ in a derogatory/ inferior way, wherein I had placed the eccentric/ odd/ mysterious/ emotional in a superior place in my mental value scheme toward the world and people.

 

I forgive myself that I accepted and allowed myself to from the moment of seeing the shock and impact that images would create and instill in my mother to the point of her asking my sister to take them down, to then use paintings as a way for me to ‘go against her flow’ and create shocking images just for the sake of secretly vindicating my desire to vex and disturb my mother, even if I ‘hid’ most of those paintings from her, even till this day –

 

I forgive myself that I have not accepted and allowed myself to realize that the entire play-out of events from this moment on defined my desire to paint something that would be ‘eccentric’ and disturbing as a way to make my mother react or be bothered, and get a kick out of it – with no reason or purpose but that initial primordial relationship of mother/ daughter that began from the moment I was inside her womb.

 

I forgive myself that I accepted an allowed myself to choose a career just for the sake of wanting to ‘step out ‘of the mold that I believed I was being imposed with, and in that desire to ‘spite my mother’/ family structure, I opted to study something that represented ‘getting out of the family mold,’ without realizing that the only one I was fucking with was myself, as I would have to live with that decision based on all of these emotional and relationship play outs in my family that I defined myself according to.

 

I realize that the only one that is now living the consequences of such decisions based on experiences is myself, and it has nothing to do with the paintings, the painter, my mother or sisters, but only myself and my own mind as the definition of who and what I wanted to be and what I did not want to be ‘for others,’ not even for myself.

 

I forgive myself that I accepted and allowed myself to within spiting what I perceived were imposed decisions for my life from my mother, I took the ‘opposite road’ in order to ensure that ‘I’ could decide for myself, wherein I simply took the opposite road to spite them and separate myself from them, without actually realizing that the decision I was taking was for me and my own life and that the only one that would have to live with such decisions was myself, and that I was the only one that would have to live with it.

 

I forgive myself that I have accepted and allowed myself to not see that in my desire to ‘spite everyone else,’ I only spitted myself.

 

I forgive myself that I accepted and allowed myself to elevate art to the status of being something ‘eccentric and unique’ which fueled my desire to not be ordinary, to be ‘out of this world/ out of my family mold’ and within that, be ‘abnormal’ from the ‘normalcy’ that I had judged as pathetic and predictable, without realizing that we have all always been predictable as the mind patterns that work in mechanical ways wherein I was never really aware of me when living out those choices, but was only following a systematic pattern of creating friction and opposition in order to establish my self-righteousness over common sense in my life, to only fuel my ego.

 

I forgive myself that I accepted and allowed myself to begin painting with the desire to be emotional to have something ‘great’ to paint, and to evoke the same experience in another when looking at it, which is what I defined as what would make a painting ‘famous’ and ‘liked’

 

I forgive myself that I accepted and allowed myself to start seeing emotions – in a lesser manner also feelings – as a way to make a painting ‘come alive’ wherein I started believing that the emotional way I was painting in would define a painting s either successful/ not successful based on the reactions that others would be able to obtain from them.

 

I forgive myself that I accepted and allowed myself to want to ‘feel alive’ through paintings, associating this with having to be sad, dismal, depressed and angry at the world, which is how I would allow myself to reinforce emotions through words, pictures, ideas, thoughts, lyrics, books in order to gather ‘enough material to work with’ as an emotional experience that I would define as ‘feeling inspired’ to paint and portray that which I wanted to say in order to leave a ‘mark’ of my emotional state for the world – creating an entire mythology around my own paintings as something special.

 

I forgive myself that I accepted and allowed myself to think that because I didn’t have much to be sad about, I had to start creating my own sad stories and beginning to yearn for love and relationships, as that was another topic that I saw could generate a similar experience of ‘hopelessness’ and ‘dullness’ that I could express through images/ pictures according to how I would go tagging my reality as sad/ dismal and portraying that as paintings.

 

I forgive myself that I accepted and allowed myself to talk myself into depression and deliberately triggering thoughts/ using images to create these emotional experiences because I defined that I could only be alive and be ‘sensitive enough’ just like an artist/ Frida, to create any good work of art.

 

I forgive myself that I accepted and allowed myself to believe that I could only create art if I had a ‘broken heart’ or a yearning for a relationship, which are the points that I fueled in order to paint.

 

I forgive myself that I accepted and allowed myself to start looking at this world as being damned and shitty, as a thought in my mind just for the sake of making of that thought a painting that could make me ‘feel’ like I as this sensitive person to what was going on in the world – hence making me special in my own eyes and wanting to be special at the eyes of others = the desire to be an eccentric unique being.

 

I forgive myself that I accepted and allowed myself to start seeing everyone as sad and dismal and slaves, which became the actual filter with which, till this day, I have been walking in order to not constantly feed the same pattern that I created in order to fuel my ‘creative abilities’ when using emotions as a trigger point for me to paint. This implies that I began seeking for the ‘negative experiences’ as a way to make myself feel ‘better’ about myself and feel ‘good’ whenever I could create with using such ‘emotional states of being’ as a source of ‘inspiration.’

 

I forgive myself that I accepted and allowed myself to believe then myself to be ‘too sensitive for this world,’ wherein I simply took the idea of ‘an artist being a more sensitive being’ wherein in my mind, being an artist and being sensitive meant a more ‘evolved’ human being, a more ‘humane’ being without ever realizing what emotions were really all about until now through what we learn and educate ourselves with at Desteni.

 

I forgive myself that I accepted and allowed myself to talk myself into believing that I had a ‘gift’ to represent emotions in a touching manner through my paintings/ images/ drawings/ pictures, which became a point that I held on as myself, as if I was special about it.

 

I forgive myself that I accepted and allowed myself to talk myself into desiring a relationship, instigating any form of problem and friction within myself to have something to be sad, bothered, angry about in order to paint.

 

I forgive myself that I accepted and allowed myself to believe in the sentence ‘True art only comes from suffering’ from Palahniuk’s books that I took on as a creed, and that I used to fuel my desire to have experiences in order to have something ‘meaningful’ to paint, which is how I would judge then what ‘good art’ and what ‘bad art’ was based on the amount of emotions and feelings I could generate/ get from looking at art, without realizing that I had programmed myself to act and believe that this was actually ‘so’ within itself which means: there was never ever something ‘special ‘and ‘unique’ about it, other than my obvious self-brain washing in a desire to be special.

 

I forgive myself that I have accepted and allowed myself to remain within the belief that ‘I had to be inspired to create any good art’ which mean ‘I had to be experiencing an emotion – preferably – to make any good painting, and that if I was rather ‘happy’ or in a positive attitude, it would mostly not be a good work of art, but only a spoof of reality.

 

I forgive myself that I accepted and allowed myself to believe that the sadder I felt, the better the painting would come out to be, wherein I would deliberately begin painting when I thought that I was sad enough, angry enough to do so.

 

I forgive myself that I accepted and allowed myself to continue with this pattern of believing that creation required myself to be in a particular emotional way to generate emotions within others and within that, make of ‘my work’ something ‘great’ due to and because of how I had believed that only great works of art stem from feeling sad, experiencing sorrow and depression, which became a state of being that I deliberately sought in order to ‘make great art,’ without ever realizing I was only manipulating myself in order to fit my own ideal of what ‘great art’ is supposed to be.

 

 

Self Corrective Statements

 

When and as I see myself believing that ‘great art’ is that which is able to evoke an emotional experience within me and others, I stop and I breathe – I realize that I programmed myself this way from the time when I got an experience from Frida’s paintings that became the ‘blueprint’ for me to establish what is ‘great successful art’ and what is not, wherein through this value system I simply accept myself to be an emotional-robot that can only feel ‘alive’ if being ‘emotional’ in any way as a state of being.

 

When and as I see myself believing that being an artist is being a ‘special unique being’ and ‘sensitive’ toward the world, I stop and I breathe – I realize that in art the emotional and feeling bodies are used to give further meaning to just images and things in order to perpetuate the idea of the human being a sensitive creature, which is in no way what we really are as the proof of what our desire and drive for experiences is Here as the consequence of this absolute self interest wherein we can do ‘anything’ jus to ‘feel everything’ even if it means depleting the earth’s resources in the name of a feeling/ emotion, abusing ourselves, abusing life and simply perpetuating a monetary system that in no way is supporting LIFE but only the human as experiences within emotions and feelings that keep us all occupied in our minds and neglecting the reality that is crumbling down every step that we take to fulfill our ‘dreams’ instead of acting and caring to consider what is best for all instead.

 

When and as I see myself being drawn to pictures that depict sorrow, suffering, blood, tears, sadness, I stop and I breathe – I realize that I programmed myself to develop my ‘emotional side’ as the mind within looking at such images, in order to ponder emotions as ‘living’ and equating them to a ‘higher level of consciousness’ due to the belief that I held toward ‘emotions/ feelings’ being the actual ‘core’ of being a human being as in ‘being alive,’ yet absolutely neglecting the consequences that such feelings and emotions had on a physical level in every body, but only going for that rush as the actual energy that I would create whenever I could become emotional, just like a drug that I could generate through my own thoughts and my own images to reinforce such thoughts

 

When and as I see myself believing that I ‘chose my career’ based on my ‘affinity with art and life’ I stop and I breathe – I realize that this was just the result of me talking to myself to become someone eccentric – as I deemed artists to be – and within that, doing everything that I could to emulate the lives of beings that were artists so that I could be ‘one of them’ by identifying myself with their emotional experience and existence, which I defined as ‘living’ and being a ‘more aware being’ which was never really so, but only a highly ingrained belief system wherein I believed that an emotional being was ‘in touch with themselves, ‘when It was only being in touch with the mind as self, but never self aware as the totality of this world – without realizing that artists, just like any other human being, are only infatuated with their own thoughts, imagination, emotions, feelings, which is no different to any other being existing in absolute self-interest and self-obsession – thus

 

When and as I see myself seeing an ‘artist’ with this aura of ‘specialness’ when compared to other ‘normal’ beings, I stop and I breathe. I realize I am perpetuating my own mindfuck toward art/ artists being ‘special’ and ‘unique beings’ which is why I sought to be ‘one of them’ when deliberately wanting to ‘identify’ myself with artists and their lives.

 

When and as I see myself looking at a work of art with the desire to get an ‘experience’ out of it, I stop and I breathe – I realize that the reason why art is ‘art’ is because of reinforcing the emotions and feelings of people – instead I can direct myself to see how I can use art as an effective way to instigate the realization of us human beings being responsible for this world and this Earth as each one of us, which is a more tangible way of using images in the name of Self-Support as Life, and not as mere instigators of emotions and feelings as ‘human nature.’

 

When and as I see myself wanting to make a decision in my life based on the desire to oppose my family/ the world/ ‘normal people,’ I stop and I breathe. I realize that this is a basic mechanism that I have used throughout my life to generate conflict and separate myself from others in means of keeping me as ‘special’ and ‘unique,’ which is in fact just another egotistical way to ensure that ‘I’ remain special/ unique within the ‘artist role,’ instead I realize that all decisions I make must be considered within the outflows and consequences of the entirety of ‘who I am’ in that moment of decision, taking all into consideration wherein I ensure I am not opposing something/ someone, wanting to ‘avoid’ or wanting to create an experience within me as ‘living,’ – but instead direct me to consider the practical, physical and tangible steps to walk that decision that will be founded upon the consideration of what is best for all life, what is it really required to be and be done in order to establish LIFE in this world.

 

I realize that I had only sought to be and become this profession to indulge in my egotistical personality, my desire to be special and unique – instead of ever really considering what can I be and become in order to be an actual participant that takes on a position within reality to change the world that I judged for so long, and daring to first walk that process myself which is what I am now walking as my own correction to the decisions I made based on opposition, retaliation in my own mind to create a sense of superiority toward ‘the rest of the world,’ trying to ‘not be of this world’ by ‘being an artist’ and creating an aura of specialness around me.

 

When and as I see myself desiring to ‘not be like everyone else’ I stop and I breathe, I realize that this is the mechanism that we all accept as ‘normal’ within ourselves, but is in fact the basic platform from which inequality stems, because such statement implies: I want to be special, I want to be ‘more’ than others – hence allowing an entire system that enables such ‘specialness’ through the value given to different professions and skills that can actually be equalized for all if we stop holding anything as more or less than who we are as one and equal. Thus I see that the equalization of myself as life begins with stopping one single thought as a desire to ‘not be normal/ ordinary.’ I direct myself to stand as one and equal as the totality that we are wherein there can be no more and no less, but only self-expansion from the confinement of a mind that seeks to be ‘above others’ into the creation of a reality that I can in fact contribute to be supportive for all equally, and in that, supporting people’s expression to be artists and create themselves as the individuals that we all can be if regarding ourselves as life in Equality.

 

I realize that the reason why I considered art as some ‘unique’ and ‘special’ activity/ profession in my world, was because of the fame and aura of ‘specialness’ that artists would get, which became my actual desire to be and become an artist for such desire to be recognized and praised as some ‘great creator’ only to fuel my ego and desire for specialness, which stems from an actual inferiority and sense of ‘lacking’ such wholeness/ completion as myself as my physical being, but believing that I had to seek to be ‘more’ than myself as who and what I’ve been and am and will be until I die: my physical body here, breathing.

 

When and as I see myself believing that I can only create when I am feeling ‘emotional’ in any way – I stop and I breathe – I realize that this is the reason why I believe that ‘I do not want to create anything’ just because I have not been as ‘emotional’ as I used to, wherein I have stopped having this desire to ‘create’ because of the link I created between art creation and emotional experience. Thus I direct myself to create without thinking that I require to be emotional/ inspired to do so, which is then me creating as a moment of expression within myself that does not require to be backed by an experience, but can be directed as the moment in common sense = considering what’s best for all as a creation that is not fueled by emotions or feelings, but only externalizing the expression of myself in any given moment that I direct myself to do so.

 

When and as I see myself wanting to get positive feedback on my creations as a way to ‘know’ that I have ‘touched’ them in any way, I stop and I breathe – I realize that I am trying to make of art an emotion/ feeling instigator instead of actually supporting myself and others to stop the mind and get back into the physical reality that does not require feelings or emotions to be and exist – hence I direct myself to use pictures, images, paintings in common sense to give them a new meaning based on what life is, what life can be if we all work together to actually create a world that’s best for all, wherein the only role that art can take is the creative process in itself wherein we all realize ourselves as our own creators and within that, being self responsible about such creations in order to ensure that we are in fact considering each other in every moment of creation, and stop creating as a means to elevate our egos –

 

I commit myself to stop any aura of specialness toward art, and simply accept it, see it as any other form of expression coming from a fellow human being that is valuable just for the part of this reality that it represents, without seeing it as ‘holy objects’ or ‘special objects’ in my world.

 

I commit myself to establish the Equal Money System that will ensure that dreams of fame and fortune stop being this constant fuel for the desire to be special and unique within beings, but instead become an actual point of support to ensure that all beings can learn how to express through art if they want to do so, and have no restrictions based on time, survival or any other form of belief of what is art/ what is not art – but simply using materials to create as a way to get to know ourselves through our creations, be able to reflect about reality in a self-supportive way wherein emotions and feelings are no longer in the way but we direct the work to be an actual representation of the realization of who we are as one and equals as life.

 

 

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Read the previous chapters of this exploration around art as a career choice:


Euthanasia: Evacuate the body that suffers

 

Testing through words to write about – it became obvious that the points related to death, pain, suffering had to come through after realizing the death of a beloved being, yes everyone that had been at the farm enjoyed her.

I can only speak from the innumerable amounts of times that we played ball, the many times she’d come to my desk and place the gooey ball on my leg to throw it to her – it was never too far or too high for her to catch it, it never was too late at night or too early to do the same over and over again . All I’ve got is cool memories from that, but I also saw her suffering from the time she got her surgery and how she was really down and in pain – we’d take turns to baby sit her through the day – I remember not being able to cope very well with seeing her that way because she’d always be the ever-panting type of dog that’s never too tired to play ball…

 

So, a decision had to be made today, to put her to sleep because she’d had to basically go through the same process again which could eventually become a pattern – she had a process of her own definitely and some videos are still up about it if anyone wants to review them I’ll leave the links at the end.

 

Though this point opened up the Euthanasia which is something that I fully support and I told L how it is weird that we accept to do this to an animal but not to a human being – why not? because there’s a mental attachment from human beings to other human beings? I’d say the same goes towards an animal – anyways to me that type of differences make no sense in this world and preserving a human being alive just for the sake of keeping the family or the people close to the one that’s suffering ‘happy’ is sheer egoism, sheer selfishness wherein the actual experience of the human being is not being considered at all.

 

I cannot see why there are laws that cannot actually allow the person itself to decide to die, to have an ‘assisted suicide’ for the sake of ending the suffering from a terminal disease – we’ve become so infatuated with life preservation – or should I write “life” because we know we’re not yet actually living-  and within that, pondering our ‘thoughts’ and feelings/emotions and whatnot over the actual physical experience that another goes when getting to a point wherein life in the physical becomes too much to handle, becomes a drag in itself – that’s not living and all people should be able to decide when to have a dignified end to themselves in such conditions – for clarity and third eye parties: this is NOT supporting suicide, once again: this is only in cases of people going through terminal diseases and any other physical impediment that tampers the ability to live and have proper physical functioning in this world as a decision taken by themselves after having had proper psychological and medical assistance to evaluate the case – yet not forcing the point of them staying alive if it’s virtually impossible to stop a degenerative process in the body –

 

From when I was a young girl I remember my grandmother was sick and remained with various illnesses through her entire life. I had quite a relationship with her, I liked teasing her because I saw her as easy-to-be-picked-on yet it wasn’t with malice, it’ was more like a way to make her laugh and stand outside of her own pains and self-created turmoil she lived in.

I remember organizing all her meds that were lying inside a box, out of their respective boxes and so when I showed her what I had done with them and expected a ‘thank you’ she proceeded to shuffle them all again, seemed she liked her stuff all messy anyways – I don’t know why I got that memory so embedded. Anyways she’s dead, she died like 2 years ago while I wasn’t in Mexico, seems my family cared-a-lot that I wasn’t here and that I didn’t say anything about it when I was back, nor have I gone to the cemetery or anything, not interested either.

My mother probably still sees this as ‘rude’ as she sent me a message to remind me of the day that she died this year – I simply replied ‘ok’ because I have nothing else to say about it – I didn’t grieve over her dead even though this is the closes ‘death’ I’ve had in my life – though I was never really close with her either – anyways, I was actually glad that she died because she ended her life-long suffering from various diseases – yet when saying this to my family, they reacted momentarily to my words but eventually saw how it was true.

When I explained to them how people grieve over their own death and how they aren’t actually considering what the person goes through when people are wanting the person to remain alive, they understood how it’s actually selfish to preserve someone alive for the sake of the people around them.

 

Unacceptable-  yet morality fucks the points up, all religious babble that condemn these acts as well, all that which stands as a posture that isn’t considering the physical actual reality at all.

 

Lately I’ve had several people commenting on my video entitled ‘Is there Life after Death?’ in spanish – fascinating how it has pushed several buttons because everyone wants to believe there’s a heaven you go to – I only could ‘hope’ there’s a heaven for animals because they’ve been the real deal here in this world – and they are the ones that we’ve put on major suffering through our domination process on Earth – unacceptable. Though obviously not really ‘hoping’ for them to exist after death, is just one of those thoughts that I’d like to resort to in cases wherein we see animals suffer and die – I breathe and let go of it all as nothing that can die can be actually real – that’s the key here.

 

And so – we look at how evacuation comes after the word euthanasia – evacuating the body that requires to be put to rest to go back to the earth, evacuate it from the consciousness that suffers, that thinks and feels – seems to be the most eloquent and reasonable thing to do yet, we’ve got many perspectives in this world still fighting against this right.

 

I take some of the points that Bella once discussed in a pair of videos wherein people would focus too much on Euthanasia or assisted death and would create such grand debates instead of actually making sure that the same emphasis is placed on actually Assisting Life – so it’s a matter of considering Life as the cycle that must be taken into consideration from beginning to end in equal-consideration – no point must be ‘more important’ or feared or relevant – instead simply considering what’s best for the being and their experience throughout their life and support everyone the best possible way.

So yes, when Life becomes the highest value, death as an end to this life must be taken with the same care till the last moment and won’t be influenced by any type of morals or money or any other ideology that is currently deciding for being, but instead accept Death as part of the cycle that we’re in here for.

I have experienced these taboos at home and I’ve brought the points up until it becomes more ‘comfortable’ to talk about it- yet fascinating that people go into this tension to simply not have to speak about it.

Probably facing the ‘fear of death’ has come to me only through dreams. I had a very specific one wherein I gave my last breath when realizing I was  going down a cliff inside a car that had simply missed the road and that was it – I’ve also faced fear of death in some real life minor events mostly involving car accidents, one where I could’ve fried to death and that I actually shared in a blog because it was in a fucking instant that I could’ve been dead in the middle of the night – fascinating how we’re so vulnerable to dying and that’s how we simply say: live every day as if it’s the last day of your life – that means: do not fear death, it’s useless to live to die and to see death as something that is not to be spoken about, or must be ‘avoided’ at all cost.

Removing the ‘fear’ and confronting it for what it is has allowed me to be more stable here in my reality – in moments of apparent death in dreams I’ve been mostly allowing it to come as in realizing: okay this is my last breath and I go – only once did I freak out while dying in a fire… so yes, I’ve forgiven myself for that and that’s it.

I am here and I live – I walk and I don’t fear dying – that’s what my conscious mind wants to say though there’s obvious points that I haven’t faced as an actual death so, it’s one of those points wherein I simply know that I won’t be thinking about ‘going to heaven’ or ‘going to hell’ and instead welcome the death when it comes and in any form it comes as I’ll know that it’s not something ‘bad’ to happen to me, but a single basic outcome that’s inevitable the moment you’re born into this world. As simple as that.

 

So conclusion of this all:

Dignified Life = Dignified Death for ALL in Equality 

This way we don’t make death any more or less than what it is, we accept it and simply allow ourselves to let go of those that depart as it’s only part of life to accept and see death as part of this cycles we’re living as.

 

Thanks for reading.

 

The Beginning – Timeless


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